{"id":557,"date":"2011-04-07T15:37:51","date_gmt":"2011-04-07T20:37:51","guid":{"rendered":"https:\/\/ericsiegmund.com\/gazette\/2011\/04\/07\/110407-recordscans\/"},"modified":"2024-09-11T18:34:05","modified_gmt":"2024-09-11T23:34:05","slug":"110407-recordscans","status":"publish","type":"post","link":"https:\/\/ericsiegmund.com\/fireant\/2011\/04\/07\/110407-recordscans\/","title":{"rendered":"Black Rings of Distraction"},"content":{"rendered":"<p>I had a big ol&#8217; Random Thursday post ready to go, but at the last second I decided you were probably tired of that meaningless, Content Free\u2122 junk, so I pulled the trigger on a project that&#8217;s been rattling around in my head for a while, ever since I ran across <a href=\"http:\/\/centerofattention.me\/\">this website<\/a>. It&#8217;s called <i>Center of Attention<\/i>, and it&#8217;s simply a series of scanned artwork from vinyl records, both singles and LPs (if those terms are meaningless to you, there&#8217;s a reason you&#8217;re still sitting at the kiddie table at Thanksgiving).<\/p>\n<p>Now, this is all well and good and no one can argue that this piece of our cultural history should be preserved, if only so that codgers like me can recall a time when we mastered our technology rather than the other way around. But it also occurred to me that this focus omits something that&#8217;s arguably even more important: the other stuff that comprised the records. You know, the black stuff (although it wasn&#8217;t always black, now that I think about it)&#8230;the vinyl. So, here&#8217;s my Big Idea: I propose to complete what Simon Foster&#8217;s\u00a0<i>Center of Attention<\/i> began<i> by immortalizing the vinyl part of the records<\/i>. Classic, huh. Don&#8217;t hate me because I&#8217;m creative; I&#8217;m sure you have skills that I don&#8217;t have, like macrame or curling.<\/p>\n<p>I&#8217;m not going to completely try to be the yin to <i>Center of Attention<\/i>&#8216;s yang, and not just because that sounds weird, but also because I don&#8217;t think I have many of his records in my collection (although I do have the album, <i>The Shape of Things to Come<\/i>, by Max Frost and the Troopers; Simon is displaying the the B-side of that song,\u00a0<i>Free Lovin&#8217;<\/i>, on a 1968 single). He&#8217;s got a lot of old R&amp;B and blues records, and my tastes ran to mainstream pop and rock, with the occasional foray into the weirdness of artists like Frank Zappa. But, I think there&#8217;s room in this field for all of us, don&#8217;t you?<\/p>\n<p>So, here&#8217;s the deal. I&#8217;m scanning my 45s, and editing out the cover art so we can focus on the exquisite and unique beauty of the vinyl. Here&#8217;s my first offering, a classic by the Monkees (and written by Neil Diamond), called <i>A Little Bit Me, A Little Bit You<\/i>. But, silly me; I&#8217;m sure you&#8217;ll recognize it as soon as you see it, even if you&#8217;re not <a href=\"http:\/\/www.wired.com\/entertainment\/music\/news\/2003\/02\/57769\">Dr. Arthur Lintgen<\/a>.<\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/ericsiegmund.com\/fireant\/images\/misc\/45s\/littlebitmelittlebityou.jpg\" alt=\"Scan of 45 rpm record\" \/><\/p>\n<p>OK, I know what you&#8217;re thinking: &#8220;How do we <i>know<\/i> this is the authentic scan?&#8221; I could have pulled a fast one and substituted <i>C&#8217;mon Marianne<\/i> by the Four Seasons. It&#8217;s a fair question, given the relatively low resolution of the image. I did the original scan at 200 dpi, magnified 600%, and the resulting scan is almost 300 megabytes, not really conducive for putting on a website, but absolutely detailed enough to provide a good sample.<\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/ericsiegmund.com\/fireant\/images\/misc\/45s\/littlebitmelittlebityou_xs.jpg\" alt=\"Detail of 45 rpm record\" \/><\/p>\n<p>If you happen to be a geologist, you might think this is reminiscent of core sample, with its layers of strata, and I guess that &#8220;H&#8221; at the bottom would represent &#8211; I don&#8217;t know &#8211; Hell? There&#8217;s got to be another explanation, but I got nothin&#8217; at this point. Perhaps a Discological Historian can enlighten us about the random letters and numbers inscribed near the center of each record. Are they the earliest anti-piracy efforts? Or just inventory tracking devices? Or something more sinister (I keep going back to the &#8220;H for Hell&#8221; thing)? It&#8217;s questions like this that provide the scholarly justification for the time and effort I&#8217;ll be sinking into this project. Don&#8217;t thank me; that&#8217;s just the way I roll.<\/p>\n<p>So, what do you think? Is this research worthy of the Fire Ant imprint, or should I continue my quest for excellence in another direction?<\/p>\n<p><i>By the way, I&#8217;m not the first yahoo to get the idea of scanning a record, much as I&#8217;d like to make that claim. <a href=\"http:\/\/www.phys.huji.ac.il\/~springer\/DigitalNeedle\/\">This guy did it<\/a>, and then developed software that could &#8220;play&#8221; the scanned image. Show-off.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I had a big ol&#8217; Random Thursday post ready to go, but at the last second I decided you were probably tired of that meaningless, Content Free\u2122 junk, so I pulled the trigger on a project that&#8217;s been rattling around in my head for a while, ever since I ran across this website. It&#8217;s called&hellip; <a class=\"more-link\" href=\"https:\/\/ericsiegmund.com\/fireant\/2011\/04\/07\/110407-recordscans\/\">Continue reading <span class=\"screen-reader-text\">Black Rings of Distraction<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8,23],"tags":[],"class_list":["post-557","post","type-post","status-publish","format-standard","hentry","category-just-plain-silly","category-music","entry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/ericsiegmund.com\/fireant\/wp-json\/wp\/v2\/posts\/557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericsiegmund.com\/fireant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ericsiegmund.com\/fireant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ericsiegmund.com\/fireant\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericsiegmund.com\/fireant\/wp-json\/wp\/v2\/comments?post=557"}],"version-history":[{"count":2,"href":"https:\/\/ericsiegmund.com\/fireant\/wp-json\/wp\/v2\/posts\/557\/revisions"}],"predecessor-version":[{"id":14154,"href":"https:\/\/ericsiegmund.com\/fireant\/wp-json\/wp\/v2\/posts\/557\/revisions\/14154"}],"wp:attachment":[{"href":"https:\/\/ericsiegmund.com\/fireant\/wp-json\/wp\/v2\/media?parent=557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ericsiegmund.com\/fireant\/wp-json\/wp\/v2\/categories?post=557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ericsiegmund.com\/fireant\/wp-json\/wp\/v2\/tags?post=557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}